Tom Gormally Sculpture Resume

EDUCATION

MFA   Wichita State University - December 1979, Wichita, Kansas

BFA    Minneapolis College of Art and Design - 1973-1977, Minneapolis, Minnesota

California College of Arts and Crafts, Oakland, California, 1975-1976

Sculpture Major University of Minnesota, Minneapolis, Minnesota: Fine Arts Major, 1967-1968

GRANTS AND AWARDS

2022–2023 Civita Institute Drexler Family Diversity Fellowship

2021 Public Art Incubator Artist in Residence, University of Northern Iowa Sculpture Department, Cedar Falls, IA

2021 Visiting Artist/Lecturer, UNI Gallery of Art, University of Northern Iowa, Cedar Falls, IA 

2019 Allied Arts Foundation Artist Award (grant)

2019 Visiting Artist/Lecturer, Minneapolis College of Art and Design, Minneapolis, MN

2019 Artist Lecture, Blanden Memorial Art Museum, Fort Dodge, IA

2015 Artist Trust Fellowship, Artist Trust, Seattle, WA

1999 International Residencies for Artists, New York, New York, travel grant

1985 NEA/MAAA Fellowship in Sculpture

1985 Lanexa National Sculpture Exhibition, Lenexa Kansas, Honorable Mention

1984 Kansas Four: Mulvane Art Center, Best of Show, Curated by William Struve


SELECTED ONE-PERSON and TWO-PERSON EXHIBITIONS

2023 Climate of Change, Shunpike Storefronts Program; a temporary public art partnership with Amazon, Seattle, WA

2022 Into the Breach (solo exhibition), San Juan Island Museum of Art, San Juan Island, WA

2021 Present / Tense, University of Northern Iowa Gallery of Art, Cedar Falls, Iowa

2020 Celebration of Community, Sage Bionetworks, Seattle, WA

2019 Present / Tense, Blanden Memorial Art Museum, Fort Dodge, Iowa

2019 Fox in the Henhouse, Fogue Gallery, Seattle, WA

2017  Present/Tense, (two-person exhibit) Spaceworks Gallery, Tacoma, WA

2016 ? OR BUST, METHOD Gallery, Seattle, WA

2008 Bent, Turned & Fabricated, BCC Gallery Space, Bellevue, WA

2004 Standard Deviations, Solomon Fine Art Inc, Seattle, WA

2003 Portals, Solomon Fine Art Inc., Seattle, WA

1999 Cells and Structures, Cornish School of the Arts, Seattle, WA

1999 Cell Studies, Two Bells, Seattle, WA

1996 Myths & Monuments, Lead Gallery, Seattle, WA

1992 Tom Gormally, Marcia McCoy Gallery, Santa Fe, New Mexico

1985 Tom Gormally: Sculptures, Paintings and Drawings, Blanden Memorial Art Museum, Museum Seven Year Overview, Sponsored by the Blanden Charitable Foundation, the NEA, and the Iowa Arts Council

1984 Tom Gormally, Morgan Gallery, Kansas City, Missouri

1979 Monuments, Clayton Staples Gallery, Wichita, Kansas

1979 Tom Gormally, Reuben Saunders Gallery, Wichita, Kansas

SELECTED INVITATIONAL GROUP EXHIBITIONS

2024 On the Natural, 2024 CoCA Northwest Annual, Center on Contemporary Art, Seattle, WA

Visual Biographies–Blades of Change, University House Wallingford, Seattle, WA

A Dreadful Beauty, Center on Contemporary Art, Seattle, WA

Like Mother, Kirkland Arts Center, Kirkland, WA

2022 2022 Members Show, Center on Contemporary Art, Seattle, WA

2021 Fall Color Field, Reuben Saunders Gallery, Wichita, KS

Beloveds: Artist Couples, The Lakeshore, Seattle, WA

2019 Motherland: 2019 Center on Contemporary Art Members’ Show, Seattle, WA

2018 Pulchra Scientia: The Aesthetics of Discovery, Perlman Museum, Carleton College, Northfield, MN. Curator Jeff Rathermel

         Creativity Persists, Center on Contemporary Art, Seattle, WA. Curator: Jody Bento, Director, SAM Gallery at Seattle Art Museum

2017 10x10x10xTieton 8th Annual International Small Work Exhibition, Tieton, WA

         Make America Create Again, Center on Contemporary Art, Seattle, WA

         New Directions ’16, Barrett Art Center, Poughkeepsie, NY. Curator Heather Pesanti, Senior Curator at The Contemporary Austin

         Bellwether 2016: Confluence, National Sculpture Exhibition, Bellevue, WA

         35 Live: CoCA Members Show, CoCA at Rubix, Center on Contemporary Art, Seattle, WA

2016 New Directions ’16, Barrett Art Center, Poughkeepsie, NY. Curator Heather Pesanti, Senior Curator at The Contemporary Austin

2015 FEAT 2015: Fellowship Exhibit Artist Trust, Galvanize, Seattle, WA

2014 Bellwether 2014: ReConnect, National Sculpture Exhibition, Bellevue, WA

2012 Bellwether 2012: reGeneration, National Sculpture Exhibition, Bellevue, WA

2008 Equestrian Art, The Blanden Memorial Art Museum, Fort Dodge, IA

2006 I Love the ‘Burbs'’ The Katonah Museum of Art, NY, catalog

2005 Crime Scene, Soil Gallery, Seattle

           What Did Puck Say?, Heidi Cho Gallery, NYC, NY

           TORA, Fourth Annual, Skagit Valley, WA

2004 Domicile, Center on Contemporary Art, Seattle, WA

          Two-Person Show, Solomon Fine Art, Seattle, WA

          Just a Taste, Monarch Contemporary Art Center, Tenino, WA

2003 Summer Stock, Dennis Morgan Gallery, Kansas City, MO

          Two-Person Show, Solomon Fine Art, Seattle, WA

2002 Tranquillity, Solomon Fine Art Inc., Seattle, WA

          Now Opening, Morgan Gallery, Kansas City, MO

2001 Wood, Francine Seders Gallery, Seattle, WA

1999 Horsehead International Outdoor Sculpture Exhibition, Belfast, Ireland

         Horsehead International Outdoor Sculpture Exhibition, Seattle, WA

1998 Horsehead International Outdoor Sculpture Exhibition, Seattle, WA

         New Works, Noodle Works, Seattle, WA

1997 Horsehead International Outdoor Sculpture Exhibition, Seattle, WA

         CARBO Invitational, Seattle, WA

         Wood, Francine Seders Gallery, Seattle, WA

1996 Angels and Small Works, Lead Gallery, Seattle, WA

1995 Horsehead International Outdoor Sculpture Exhibition, Seattle, WA

1994 New Acquisitions, SAFECO Insurance Company Collection, Seattle, WA

1991 Marcia McCoy Gallery of Art, Santa Fe, New Mexico

1987 A Kansas Collection, 2-year tour, to the following museums: National Museum for Women in the Arts, Washington, DC Kansas City Arts Coalition, Kansas City, KS; Sioux City Arts Center, Sioux City, IA; Spencer Museum of Art, University of Kansas, Lawrence, KS; Visual Arts Center Gallery, Fort Hays State University, Hays, KS; Springfield Art Museum, Springfield, Missouri

         Selections from the Collection of the New York Chemical Bank, New York Chemical Bank, New York, NY

1986 The Homecoming Exhibit: - 29 Iowa Born Artists, 2 year tour: University of Northern Iowa, Gallery of Art, Cedar Falls, IA; Sioux City Center, Sioux City, IA; Des Moines ArtCenter, Des Moines, IA; Mason City Art Center, Mason City, IA; Blanden Memorial Art Museum, Fort Dodge, IA; Muscatine Art Center, Muscatine, IA

         Four NEA/MAAA Sculpture Award Winners, University of Nebraska Gallery of Art, Lincoln, Nebraska, visiting artist

         A Kansas Bestiary, Wichita Art Museum, Wichita, KS

         Four NEA/MAA Sculpture Award Winners, Norman Eppick Art Center, Emporia State University, Emporia, Kansas

         Directions: Personal Iconography, Spiva Art Center, Joplin, Missouri

         Kansas Six, Mulvane Art Center, Topeka, Kansas

         Chicago International Art Exposition, Navy Pier, Chicago, Illinois

1985 Chicago International Art Exposition, Navy Pier, Chicago, Illinois

         Lanexa National Sculpture Exhibition, Lanexa, Kansas, Honorable Mention

1984 Kansas Four, Mulvane Art Center, Topeka, Kansas; Best of Show

1983 Thanking the Muse, University of Wisconsin Gallery of Art, Eau Claire, WI

         Art Circus: New Talent, Barry Richards Gallery, Minneapolis, MN

1982 Eleven Artists: New Directions, Minneapolis College of Art and Design Gallery, Minneapolis, MN

         Mid-Four, The Nelson-Atkins Museum of Art, Kansas City, Missouri, Curator: Diane Waldmen, Deputy Director of the Solomon            R. Guggenheim, Museum of Art, New York, New York

1979 New Talent, Morgan Gallery, Kansas City, Missouri

1978 20TH Annual Eight State Sculpture and Painting Invitational, Oklahoma Art Center, Oklahoma City, Oklahoma

PUBLIC ART AND COMMISSIONS

2023 Bettie and the Howling Fox, commissioned permanent outdoor sculpture, Blanden Memorial Art Museum, Fort Dodge, IA

2006 Eve, Private sculpture commission, Issaquah, WA

1999 Watching the River Flow, Laganside Corporation, Belfast, Northern Ireland

ArtsWA Public Artist Rooster, Washington State Arts Commission, Olympia, WA

Seattle Office of Arts and Culture Public Artist Roster, Seattle, WA

SELECTED ARCHIVES, ARTICLES, AND REVIEWS

Elizabeth Bryant, Gail Grinnell, Helen O’Toole, Tom Gormally: San Juan Island Museum of Art, Art Access, May-June 2022

Tom Gormally’s “INTO THE BREACH” comes to SJIMA,” The Journal of the San Juan Islands, April 17, 2022

Press Release, SJIMA exhibition INTO THE BREACH runs until May 30, The Orcasonian, April 6, 2022

San Juan Islands Visitor Bureau, Into the Breach: Sculpture, Drawings and Prints by Tom Gormally, April 2022

SJIMA Press Release, ‘Fresh and vibrant – Spring at SJIMA,” The Journal of the San Juan Islands, March 18, 2022

UNI Press Release, UNI Gallery of Art to present “Present / Tense: Sculpture, Paintings and Drawings by Tom & Malayka Gormally’, Inside UNI, August 23, 2021

Xavier Lopez Jr., “Interview With PNW Sculptor Tom Gormally! On Foxes, Crutches and the Apocalypse!,” Seattle PI, 4/28/20

Robert C. Morgan, “The Visionary Art of Tom and Malayka Gormally,” catalog essay for Present / Tense, a two-person exhibition, Blanden Memorial Art Museum, 2019

Kelby Wingert, “Present/Tense,” The Messenger, Fort Dodge, IA, 2019

Pat Pauley, “Interview on ArtBeat Northwest with Sculptor Tom Gormally,ArtBeat Northwest, April 30th, 2019

Lisa Edge, “Tom Gormally’s Crafty Statement: The Fox is in the Henhouse, RealChange News, Seattle, WA 2/20/19

Megan Gallagher, “Present/Tense by Malayka and Tom Gormally,” Artist Trust News / Blog, December 18, 2017

The Stranger Things To Do Staff, “The Best Things to Do in Seattle This Winter,” SLOG (The Stranger Blog), December 6, 2017

Emily Pothast, Julia Raban and Joule Zelman, “The Best Art Shows in Seattle: Winter 2017/2018; Picks from Seattle Art and Performance for December 6, 2017-March 2018,

Seattle Art and Performance Quarterly magazine, December 6, 2017

Emily Pothast, “Malayka and Tom Gormally: Present / Tense,” The Stranger - Things To Do, December 1, 2017

Lisa Edge, “Past and Present Tension,” cover article, Real Change, Nov 22-28, 2017

“New Gallery Openings in Town, Tacoma Weekly, November 22, 2017

Alec Clayton, “‘Present/Tense,’ Sculpture, drawings and paintings by Malayka and Tom Gormally”, NorthwestMilitary.com / Weekly Volcano November 22, 2017

Gabriel Brown, “Present / Tense: Current Paintings and Drawings by Malayka Gormally & Tom Gormally, Spaceworks Tacoma blog, November 7, 2017

Josie Kefenheim, “Gormally Investigates Politics in Present/Tense,” Minneapolis College of Art and Design News, November 27, 2017

T.S. Flock, “Pioneer Square Gallery Guide,” vanguard.com, March 2, 2016

Kelton Sears and T.S. Flock, “Seattle Weekly’s March First Thursday Picks,” Seattle Weekly, March 1, 2016

'Bellwether 2014: Connect', Arts Section, Seattle Times, June 30, 2014

‘Crime Scene at Soil Art Gallery,’ The Vroom Journal, Seattle, WA, November 2006

Georges Pompidou Centre, Paris, France - 'HorseHead Art Project at Sand Point' Library of Congress, Washington, DC -‘Blandon Memorial Art Museum Catalogue' 'Hot Ticket', The Seattle Times, (Friday, March 7, 2003): p. 48H

‘”Domicile”: Home is where the art is,’ Sheila Farr, Seattle Times, July 2, 2004, pg 43

‘Hot Ticket,’ The Seattle Times (Friday, March 7, 2003): p.48H

Allyn Cantor: ‘Tom Gormally: Portals,’ Preview, The Gallery Guide, Feb -March 2003, cover page

'Hot Ticket', The Seattle Times (Friday, December 13, 2002): p48H

Bud Norman: 'Artists Return Home for WSU Alumni Show', The Wichita Eagle,

December 7, 2002, Sheila Farr: ‘Northwest Wood,’ The Seattle Post Intelligencer, April 13, 2001

‘Northwest Wood,’ Art Access, Seattle, WA, April 2001 issue

BBC Television, interview, midday and evening report, August 13, 1999

Neil Johnston: ‘Belfast to blossom with outdoor art,’ Belfast Telegraph, Ireland, August 13, 1999

Matthew Kangas: Sculpture Magazine - HorseHead Exhibition – Review, Fall '98

Douglas McLennan: 'HorseHead Artists Exhibit Quite a Ride'’ Seattle PI, August 10, 1998

Matthew Kangas: 'Naval Gazing'’ HorseHead Sculpture Project, Seattle Times, August 20, 1998

Gwen Wilson: 'Horsehead '98 at SandPoint', Art Access, September 1998

Russ Zabel: 'Horsehead Goes Urban at SandPoint', Queen Anne News, August 5,

1999 Matthew Kangas: Sculpture Magazine - HorseHead Exhibition - November 1997

Matthew Kangas: 'Wood', Seattle Times, June 19 1997

Sheila Farr: 'Wood', Seattle Weekly, June 18 1997

Sheila Farr: 'Wonderland', Gormally, Seattle Weekly, November 12, 1996

Jane Eby: 'A Kansas Bestiary', The New Art Examiner, Chicago, April 1987

Jane Eby: 'Wichitia Artists Share Optimisim and Independence Fighting the Good Fight in Kansas', The New Art Examiner, Chicago, February

1986 Richard Leslie: 'Dream State', The New Art Examiner, Chicago, June 1985

Elliot Nusbaum: 'Gormally on Man, Nature', The Des Moines Register, December 23, 1984

Donald Hoffman: 'Paintings of Vigor and Energy', The Kansas City Star Journal, June 17, 1984

Nancy Nowick: 'Wichitan Wins Kansas Four', Topeka Capital Journal, February 8, 1984

Fran Addington: 'Looking at Art', The Minneapolis Star', June 19, 1983

Robert C Morgan: 'New Art for the Decade Ahead', The Wichitan, Wichita, KS, January 1980

Dorothy Belden: 'Balanced Art Mirrors Life's Ups and Downs: Gormally Riding the See Saw of Life', The Wichita Eagle Beacon', June 6, 1979

CATALOGS AND BOOKS

Present / Tense, exhibition catalog, Blanden Memorial Art Museum, Fort Dodge, IA, 2019

Essay by Robert C. Morgan, Ph.D.

Motherland, exhibition catalog, Center on Contemporary Art, Seattle, WA, 2019

Creativity Persists, exhibition catalog, Center on Contemporary Art, Seattle, WA, 2018

Make America Create Again, exhibit catalog, Center on Contemporary Art, Seattle, WA, 2017

35 Live, Center on Contemporary Art, Seattle, WA, 2016

Studio Visit, Volume 10, 2010, The Open Studios Press

100 Artists of the West Coast II, by Tina Skinner, Schiffer Publishing, 2009

Studio Visit, Volume 8, 2009, The Open Studios Press

Born in Iowa, The Homecoming Exhibit,’ The Iowa Arts Council 1987 - Catalogue; Essay - 'Towards an Expanded Regionalism' - Eleanor Heartney; Essay – 'Of Recognition and Reknowing' – Daniel Stetson

Four MAAA Sculpture Winners, University of Nebraska, Lincoln, NE, 1986; Essay - Douglas Ross

A Kansas Collection- essays by Patrick Rowley, 1987

Thomas Patrick Gormally: A Selection of Sculpture, Paintings and Drawings,’ published by Blanden Memorial Art Museum; Essay, Robert C Morgan: ‘Tom Gormally, Architectonics and Archetypes'

PUBLIC COLLECTIONS

UNI Permanent Art Collection, University of Northern Iowa, Cedar Falls, IA

Seattle City Light Civic Art Collection

City of Seattle Portable Works Collection, Seattle, WA

SAFECO Insurance Company, Seattle, WA

Chemical Bank of New York, New York, NY

Blanden Memorial Art Museum, Fort Dodge, Iowa